IM Heung-soon has been using film and video to give voice to the voiceless since the late 1990s; he won the Venice Biennale Silver Lion in 2015 for one such work, Factory Complex, 2014. That film dealt mainly with the inhumane working conditions faced by female factory workers when the South Korean economy started to grow rapidly in the period following the Korean War. IM confronts issues of power, inequality, and the sovereignty of individuals as well as nation-states from the viewpoint of those at the bottom of social pyramid, people who suffered and often lost their lives struggling for what