While Gabriel Abrantes might be best known as a filmmaker (having recently won the International Critics’ Week Grand Prize at the Cannes Film Festival for his first feature-length film, Diamantino [2018], codirected with his occasional collaborator Daniel Schmidt), the Lisbon-based artist has been developing his themes, obsessions, and research across a wide range of mediums, from simple pastel drawings and oil paintings to animations and virtual reality. Curated by Inês Grosso, the exhibition “Melancolia Programada” (Programmed Melancholy) has brought together more than a decade of work, starting