New York

Jane and Louise Wilson, Untitled #1 ‘I’d Walk with You but Not with Her’, 2020, ink-jet print, 60 × 43".

Jane and Louise Wilson, Untitled #1 ‘I’d Walk with You but Not with Her’, 2020, ink-jet print, 60 × 43".

Jane and Louise Wilson

303 Gallery

Artists and identical twin sisters Jane and Louise Wilson, whose collaborative career spans more than thirty years, possess a seemingly insatiable appetite for all manner of psychic, social, and environmental catastrophes. Their remarkable Stasi City, 1997, a four-channel installation filmed inside the abandoned former headquarters of the East German secret police in Berlin, is a powerful evocation of the lingering toxicity associated with state-sponsored terror. In Face Scripting: What Did the Building See?, 2011, a collaborative effort between the sisters, the research group Forensic Architecture, and British writer Shumon Basar, they filmed the site where the Mossad executed a Palestinian member of Hamas. The deserted city of Pripyat—or Atomgrad, as it was known by Ukrainian locals—forever radioactive in the wake of the 1986 Chernobyl nuclear reactor explosion, captured the imagination

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