The black-and-white watercolors in Radenko Milak’s exhibition “Sideratio” were made between February and April of this year, while the artist was confined to his home in Banja Luka, Bosnia and Herzegovina, watching the Covid-19 pandemic unfold globally via the screen. As the exhibition’s emotional compass, the Latin title—referring to the malign influence of a particular configuration of the stars, and, more recently, as explained in the press release, a state of numbness resulting from a traumatic event—suggested a personal starting point for broader reflection. To document and potentially