Concern is an auspicious word in this climate of global pandemic. “The Cone of Concern,” the title of Haegue Yang’s recent exhibition, refers to the path a storm might take as it gathers moisture and wind speed. The idea became even more apropos when in the first weeks of the exhibition a storm was predicted to make landfall in Manila. The artist’s first solo presentation in the Philippines, the show runs parallel with shows by Yang elsewhere: in Leipzig; New York; Seoul; Singapore; St Ives, UK; and Toronto. The exhibition at the Museum of Contemporary Art and Design presents newly commissioned