reviews

  • Otobong Nkanga, The Weight of Scars, 2015, polyester, linen, mohair, cotton, viscose, ink-jet prints on ten Forex plates, 8' 3 5⁄8“ × 20' 1”.

    Otobong Nkanga, The Weight of Scars, 2015, polyester, linen, mohair, cotton, viscose, ink-jet prints on ten Forex plates, 8' 3 5⁄8“ × 20' 1”.

    “Critical Zones”

    ZKM | Center for Art and Media

    SO NOW IT’S THE CRUST, the skin, the rind: There’s a new metaphor for the object of ecology, a new slogan for a new epistemology, a successor to the “blue marble,” “Whole Earth,” “Spaceship Earth,” Gaia, the Anthropocene, and all the rest. “Critical Zones: Observatories for Earthly Politics” is the title of the show that Bruno Latour, a dependable coiner of epistemological metaphors and neologisms, and Peter Weibel, acting as usual as the pandisciplinary authority on all fields and topics, organized for the

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