reviews

  • Anna Boghiguian, Promenade dans l’inconscient (A Walk in the Unconscious), 2016, wax, pigment, graphite pencil, wood, denim, metal. Installation view. Photo: Dirk Pauwels.

    Anna Boghiguian, Promenade dans l’inconscient (A Walk in the Unconscious), 2016, wax, pigment, graphite pencil, wood, denim, metal. Installation view. Photo: Dirk Pauwels.

    Anna Boghiguian

    Stedelijk Museum voor Actuele Kunst (SMAK)

    Anna Boghiguian tells stories. The daughter of a Cairene Armenian family, the artist—who celebrates her seventy-fifth birthday this year—has led an itinerant life: traveling between Europe, Asia, and Africa, between the countries of the erstwhile colonial rulers and those of their slaves, as well as between antiquity, the Middle Ages, and the present. Even when her stories stretch into ancient times, they are always about the present. Consider the installation she created for her current exhibition, “A Short Long History” (curated by Ann Hoste) which is made up of works that trace the global

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