Right away, the latest edition of the Taipei Biennial announced itself as a thesis exhibition with its pseudo-provocative title: “You and I Don’t Live on the Same Planet.” Bruno Latour asserts that this slogan, once intended as a sort of ironic put-down, actually holds true, as humanity’s perceptions of the Earth’s processes in the twenty-first century have become so distorted and polarized that rival perceptions have inevitably altered what we once collectively visualized as Nature. Latour and cocurator Martin Guinard understand exhibition making as an exercise in pedantry. Visitors arriving