Brazilian Indigenous art has stood in a peculiar paradoxical position in relation to the country’s hegemonic culture since Brazilian writer and critic Oswald de Andrade came up with the concept of anthropofagia (anthropophagy) in 1928. De Andrade claimed that Brazilian modernism was unique because it absorbed, or “devoured,” not only Western influences, but also Indigenous and Afro-Brazilian ones. Indigenous culture was thus claimed as a vital primordial source. And yet it remained historically marginalized. That is now changing. Brazilian Indigenous artists are gradually gaining visibility with