reviews

  • Taysir Batniji, Tempête (Storm), 1998/2021, diptych, acrylic on canvas on wall, each 82 5⁄8 × 42 1⁄4". Photo: Aurélien Mole.

    Taysir Batniji, Tempête (Storm), 1998/2021, diptych, acrylic on canvas on wall, each 82 5⁄8 × 42 1⁄4". Photo: Aurélien Mole.

    Taysir Batniji

    Musée d'art contemporain du Val-de-Marne (MAC/VAL)

    Though Taysir Batniji began as a painter, training at An-Najah National University in Nablus, Palestine, most of his early works on canvas here flout the medium’s conventions: They are rolled up and bound with tape—no “picture” is visible—and emblazoned in red with the word INFLAMMABLE, a term shared by the English and French languages, rising from the Latin flamma. Breaking with figurative painting soon after his arrival in France as a student in 1994, Batniji turned to Conceptual experiments, as in Tempête (Storm), 1998/2021, a yellow monochrome diptych on canvas that peels away from the wall,

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