reviews

  • Marek Włodarski, Montaż konstrukcji (Construction Montage), ca. 1949, watercolor, gouache, and pencil on paper, 11 5⁄8 × 8 1⁄4".

    Marek Włodarski, Montaż konstrukcji (Construction Montage), ca. 1949, watercolor, gouache, and pencil on paper, 11 5⁄8 × 8 1⁄4".

    “Henryk Streng/Marek Włodarski and Jewish-Polish Modernism”

    Museum of Modern Art in Warsaw | Museum on the Vistula

    In 1942, painter Henryk Streng destroyed his identity documents, acquiring papers under the name Marek Włodarski, which he maintained for the rest of his life. In hiding in Lwów, Poland (present-day Lviv, Ukraine), over the next two years, he scraped the signature with his Jewish name from numerous canvases, which Janina Brosch, his future wife—and a member of the Polish underground resistance—regularly transported to her family home. Piotr Słodkowski, the curator of “Henryk Streng/Marek Włodarski and Jewish-Polish Modernism,” discovered the erased signatures in 2017 via infrared photography,

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