Carolina Caycedo draws one of the structuring principles of her multifarious work—flow—from the river ecologies to which she devotes investigative, affective, and political care. Organized by Carla Acevedo-Yates, the mid-career survey “Carolina Caycedo: From the Bottom of the River” analogized fluvial, legible, choreographic, generational, and activist flows via a pan-indigenous worldview that invests nonhuman entities with life and agency. Serpent River Book & Serpent Table, 2017, features a leporello by the artist, one of her “water portraits,” displayed on a sinuous wooden table that led