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  • View of “Judy Chicago: A Retrospective,” 2021–22. From left: Rainbow Pickett, 1965/2021; Birth Hood, 1965/2011. Photo: Drew Altizer.

    View of “Judy Chicago: A Retrospective,” 2021–22. From left: Rainbow Pickett, 1965/2021; Birth Hood, 1965/2011. Photo: Drew Altizer.

    Judy Chicago

    de Young Museum

    JUDY CHICAGO IS EIGHTY-TWO. This is the first retrospective of her work. Late recognition is all too common for important female artists. Lee Bontecou was seventy-three at the time of her first major retrospective, Mierle Laderman Ukeles seventy-six, Carolee Schneemann seventy-eight, Faith Ringgold eighty-eight; Jay DeFeo had been dead for twenty-three years (she would have been eighty-four). The first solo show for Yolanda López, who passed away on September 3 at the age of seventy-eight, opened this past month at the Museum of Contemporary Art San Diego. Take any modern female artist with a

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