When it started in 1979, the Baltic Triennial featured mostly young artists from the Baltic republics of the Soviet Union; the event was expanded after the restoration of their independence to make global trends more visible in the region. This year, for the first time, the organizers focused their attention on contemporary and historical artistic practices in Central and Eastern Europe (CEE). Curated by Valentinas Klimašauskas and João Laia under the title “The Endless Frontier,” the triennial was a sensitive and kaleidoscopic mapping of common grounds and rifts within the region’s economic,