reviews

  • Toyen, Le devenir de la liberté (The Future of Freedom), 1946, oil on canvas, 65 × 25 5⁄8". From “Face à Arcimboldo” (Arcimboldo Face to Face).

    Toyen, Le devenir de la liberté (The Future of Freedom), 1946, oil on canvas, 65 × 25 5⁄8". From “Face à Arcimboldo” (Arcimboldo Face to Face).

    “Face à Arcimboldo”

    Centre Pompidou-Metz

    The face was material for Giuseppe Arcimboldo (1526–1593). He molded it—with a singularity of style and those tiny careful brushstrokes in oil—into allegories, bouquets, and arrangements of leather-bound books. Among the many charming examples of the Hapsburg court painter’s work in “Face à Arcimboldo” (Arcimboldo Face to Face)—an exhibition conceived in a dialogue between Maurizio Cattelan and Chiara Parisi, the latter of whom is director of Centre Pompidou-Metz and cocurator of the exhibition with Anne Horvath—was a copy of his lost original, La bibliothécaire (The Librarian), ca. 1566. The

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