In 2015, following the investigations into digital faults and breaks that had culminated her 2010 Glitch Studies Manifesto, artist Rosa Menkman embarked on a concentrated period of research into “how resolutions inform both machine vision and human perception.” These eventuated in the 2020 book Beyond Resolution, its epigraph “Refuse to let the syntaxes of (a) history direct our futures.” Menkman’s practice may have its roots in the post-internet art scene of the early 2000s, but it has always been guided by a para-academic enthusiasm for artistic inquiry into the technical limitations of the