There was a doubling at work in this exhibition, “January, February, May, June, July, August, September, October, December,” which had a complementary iteration, “March, April, November,” in Rodeo’s London gallery. “I am bringing to London marbles from Greece,” the epistolary press release for the pair of exhibitions crowed. In the Piraeus gallery window stood nine colorful handblown glass vases, each one named for a month of the year. Inside, the stone-walled warehouse space was filled with objects that seemed unexpectedly transposed from somewhere else. The gallery’s back room was bisected by