In David-Jeremiah’s new series of paintings, “I Drive Thee,” 2021–22, diagrammatic depictions of collarbones and orchid blossoms, framed by an allusion to the ludicrously expensive Lamborghini sports car, form the basis for a layered rumination on Black masculinity. The project gives unexpected visual form to the violence and trauma inflicted via racial stereotyping. Yet there is a therapeutic element here as well, as the artist argues that the visualization of these toxic markers of identity is part of the process to comprehend and counter the corrosive effects of racism on identity formation.