Carolina Fusilier’s work has previously concerned itself with the metaphysics of the nonhuman, even the inorganic: To what gods do machines pray? In her latest exhibition, Fusilier expanded on that inquiry to ponder whether anything can exist outside of time. The show’s title, “Clepsidra,” refers, like its English cognate clepsydra, to a water clock, one of the most ancient kinds of timepiece. The first room of the gallery held three paintings. Sunday 7:25 pm (all works 2021) depicts a mostly red bedroom with a wide rectangular window that itself recursively opens onto a kind of portal, a white