The ten self-portraits comprising “Full Ground,” Joy Labinjo’s debut exhibition in Nigeria, captured the British-Nigerian artist in moments of stillness and repose. In Terra Firma V (all works 2022), she stands firmly, her back turned to the viewer, her braids reaching her waist. In Terra Firma VII, she props herself up on a blue cloth, her braids nearly touching the ground. The poses in some of Labinjo’s works call to mind the women in Rembrandt’s Danaë, 1636–47, or Titian’s Venus of Urbino, 1538. Terra Firma shows Labinjo on a bench, her head wrapped in a black-and-gray-patterned scarf. Other