Rahima Gambo’s exhibition “Bird Sound Orientations” employed a constellation of organic and inorganic materials to embody reoriented ways of perceiving the world. Hinging on the Nigerian artist’s personal connection to various places and the pathways and forms of connectivity within and between them, the works explored parks, forests, and fields—nature in both rural and urban guises. The collages, silk-screened prints, and sculptural installations featured imagery familiar from her past work, including flora, birds, and children at play. By arranging found images—including those from coloring-book