Kasper Bosmans’s “Husbandry” opened with Berserk, 2022, a vibrant mural that instigated the viewer’s hunt for clues of the historical sources and stories that abound in his narrative-driven paintings, sculptures, and installations. At the center of Berserk, a graphically rendered motif of a cloaked, prancing horse is repeated three times above a painted wall of yellow and dark-green bricks mortared in pink. The horses’ monochrome caparisons extend into soft-edged chromatic fields of blue, orange, and burnt ocher. The diagonal thrust of these animal and rectangular forms lend depth and movement