Jill Magid’s show at Labor was also the fourth iteration of her traveling exhibition “Tender,” which was previously presented in Chicago, Fort Worth, and New York, or maybe the fifth, if you count the book version. In line with Magid’s heavily process-based practice, “Tender” started out as a work of the same name from 2020: a pandemic endeavor in which Magid purchased 400,000 uncirculated pennies from the US Mint and inscribed the edges of 120,000 of them with the sentence THE BODY WAS ALREADY SO FRAGILE. The total dollar amount of $1,200 referred to the sum that Americans received as a first