Two tall screens in a large dark gallery displayed black-and-white footage of nine young women standing shoulder to shoulder. The setting is a nonspecific interior; light is low; no details ground the characters in identifiable time and space. Dressed in matching patterned smocks, the women might be freely assembled members of an obscure sisterly community or confined inhabitants of an institution. Either way, they have come together in this moment as a choir: performing, perhaps protesting, making themselves heard as one. The drifting camera pans across their side-by-side faces in close-up;