The title of this year’s Ghost, the video and performance triennial founded by artist Korakrit Arunanondchai and gallerist Akapol Op Sudasna, was Ghost 2565: “Live Without Dead Time,” its subtitle citing graffiti from the May 1968 Paris uprising, a call to revolt against the pacifying effects of consumerism. Curated by Christina Li, this edition took place in a city awakening from its Covid-19 slump. The triennial conjured a radical spirit of time and change, presenting events and exhibitions that connected and invigorated distant venues and sites. In prompting viewers to travel throughout the