reviews

  • Alexandra Gelis, Raspando la ciudad (Scraping the City), 2011–22, two-channel video installation (live-stream recording, color, sound) on raspao cart, dimensions variable.

    Alexandra Gelis, Raspando la ciudad (Scraping the City), 2011–22, two-channel video installation (live-stream recording, color, sound) on raspao cart, dimensions variable.

    Alexandra Gelis and Carlos Martiel

    Instituto de Visión

    Gente de color” (People of Color), a two-person exhibition featuring the work of Alexandra Gelis and Carlos Martiel, was named after a performance by the latter. As applied to the show as a whole, the phrase functioned as a bitter metaphor for the contradictions of the Caribbean, a region rife with exploitation, inequality, and mass tourism, but also as a description of the creative hybridity produced by the continual mixing of peoples, traditions, and cultures. The Toronto-based, Colombian Venezuelan Gelis combines various media and interactive technologies to investigate specific Latin American

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