It was a nice touch, installing Gretchen Bender’s TV Text & Image (Image World Version), 1989, so that it faced the gallery’s front window and the nine bulky wall-mounted CRT monitors were visible from the street, their televised grid flickering with 24-7 live feeds of mainstream media channels. What they were drawing us into was the exhibition “Image World,” which gathered three works made between 1984 and 1990—and a selection of related archival materials—by the Pictures generation artist who died in 2004. Inside, closer to the work, we could read the series of phrases overlaid on the screens