The title of Didier William’s impressive solo exhibition here, “Nou Kite Tout Sa Dèyè,”is Kreyòl, or Haitian Creole, for “We Have Left That All Behind”—fitting, as the artist’s family relocated to North Miami from Haiti during the late 1980s. While William’s genealogy and the name of the show evoke specific geographic locations, the “where” and “when” examined in the thirty-nine works on display—mixed-media paintings on wood panels, prints, artist books, and one sculpture—are never straightforward.

Mosaic Pool, Miami, 2021, is a case in point: The titular basin, surrounded by orange-brown tiles