A pair of long, delicately colored tubes lay in parallel on top of a low plinth in the gallery’s entrance. One end of each elongated form bent itself off the edge of the traditional pedestal, like a creature curious about what was beyond the plinth, but did not connect to anything—not to the ground, not even to its companion. Pneumatophore #2 and #4 (all works 2022), resemble oversize water-snake toys—hollow forms made of latex or rubber and filled with liquid, designed as fidget devices to train motor control and concentration. But Dana-Fiona Armour’s sculptures are made of blown glass tinted