Angelo Madsen Minax’s transdisciplinary documentary practice is characterized by a drive to discover ever more expressive and personalized methods of narrating desire in all its forms. Dense in both existential inquiry and emotional intensity, Minax’s films operate as conversations between different facets of his own person: kaleidoscopic portraits of the artist as diarist, storyteller, lover, brother, erotic subject, erotic object, artist again. In “A Crisis of Human Contact,” his first institutional solo exhibition, he guides visitors into his practice with Rehearsals Toward an Erotic Approach