• artguide
  • NEWS
  • DIARY
  • SHOWS
    • PREVIEWS
    • CRITICS' PICKS
    • PRINT REVIEWS
  • PRINT
    • TABLE OF CONTENTS
    • ARCHIVE
  • COLUMNS
    • All
    • DIARY
    • INTERVIEWS
    • SLANT
    • FILM
    • PERFORMANCE
    • PASSAGES
    • ARCHITECTURE
    • MUSIC
    • BOOKS
    • TOP TEN
  • VIDEO
  • ADVERTISE
  • CIRCULATION
    • SUBSCRIBE
    • BACK ISSUES
  • NEWSLETTERS
  • SUBSCRIBE
  • BOOKFORUM
  • 艺术论坛
  • art&education
  • LOGIN
  • REGISTER
Artforum Logo
SPOTLIGHT

Kewenig

Berlin

  • Christian Boltansky, Coeur, 2005, 150 black glass frames, 13 light bulbs, technical equipment for the sound of heart-throb, dimensions variable. Exhibition view at Kewenig, Berlin. Courtesy the artist and KEWENIG Berlin. Photo: Lepkowski Studio Berlin.
    Christian Boltanski
    Danach
  • Cabrita, The moss suite #5, 2019, Woodtech (cin), lasur classic mate color 6392 and solvent on raw canvas, 47 1/2 × 39 3/4". Courtesy the artist and KEWENIG Berlin. Photo: Lepkowski Studio Berlin.
    Cabrita
    I (still) love the smell of oil color in the morning
  • Liliane Tomasko
    We Sleep Where We Fall
  • Ghada Amer, Portrait of Kamilah, 2020.
    Ghada Amer
    The Women I Know
  • Raimund Girke, Weisse Weiten I, 1989. Installation view.
    Raimund Girke
    Im Rhythmus
  • View of Bernd Koberling, “Am Rande der Mündung”. Image courtesy the artist and Kewenig.
    Bernd Koberling
    Am Rande der Mündung (At the Edge of the Estuary)
  • Elisabeth Frieberg, Black, White, Death, Gold, 2019, oil on linen, 80 × 137".
    Elisabeth Frieberg
    White Black Death Gold
  • artguide
  • ADVERTISE
  • SUBSCRIBE
  • NEWSLETTER
  • BACK ISSUES
  • CART
  • PRIVACY POLICY
  • CONTACT
  • instagram twitter YouTube facebook

All rights reserved. Artforum is a registered trademark of Artforum Media, LLC, New York, NY. Terms & Conditions. Your Privacy Choices