Features December 2019

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Features December 2019

Jeremy O. Harris, Water Sports; or Insignificant White Boys, 2019. Performance view, BOFFO, Fire Island Pines, Brookhaven, NY, June 22, 2019. Ken Barnett, Avon Haughton, Alex Fialho, and Jeremy O. Harris. Photo: Matthew Leifheit.

Jeremy O. Harris

By Christopher Glazek

Print December 2019

Stanley Love in his and Robert Melee’s kitchen, Lower East Side, New York, 1993. Photo: Robert Melee.

Stanley Love (1970–2019)

By Greg Zuccolo, Sarah Michelson

Print December 2019

Senator Joseph McCarthy and Roy Cohn during the Army McCarthy hearings, Washington, DC, 1954.

Hannah Black on Roy Cohn

By Hannah Black

Print December 2019

Jeremy O. Harris

David Velasco on the year in friendship

By David Velasco

Print December 2019

Nan Goldin, Picnic on the Esplanade, Boston, 1973, Cibachrome, 27 1⁄2 × 40".

The Year in Friendship

Print December 2019

Arthur Jafa, The White Album, 2019, digital video, color, sound, 29 minutes 55 seconds.

Henriette Huldisch

By Henriette Huldisch

Print December 2019

Rashid Johnson, Native Son, 2019, HD video, color, sound, 103 minutes 41 seconds. Bigger Thomas (Ashton Sanders).

By Miriam Katzeff

Print December 2019

Barnett Newman, Vir Heroicus Sublimis, 1950–51, oil on canvas. Installation view, Museum of Modern Art, New York, 2019. Photo: Robert Gerhardt.

Logical Revolts

Print December 2019

Nil Yalter, Turkish Immigrants (detail), 1977, twelve gelatin silver prints, twelve pencil-on-paper drawings, dimensions variable.

By Sohrab Mohebbi

Print December 2019

Mercedes Azpilicueta, Un mundo raro (A Rare World), 2015, three-channel video projection, color, sound, 10 minutes.

By Ruth Estévez

Print December 2019

Tony Cokes, Testament A: MF FKA K-P X KE RIP, 2019, HD video, color, sound, 35 minutes 22 seconds.

Print December 2019

Bong Joon-ho, Gisaengchung (Parasite), 2019, 4K video, color, sound, 131 minutes. Ki-jung (Park So-dam) and Ki-woo (Choi Woo-sik).

By Christina Li

Print December 2019

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

Art history after Black studies

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

Station to Station

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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