Features February 2014

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Kader Attia, Rochers Carrés (Square Rocks), 2008, gelatin silver print, 31 1/2 x 39 3/8". From the series “Rochers Carrés,” 2008–.

Features

ALL THE DIFFERENCE IN THE WORLD: THE ART OF KADER ATTIA

By Manthia Diawara

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Features

BREAKING THE CURVE: BIG DATA AND DESIGN

By Mario Carpo

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Features

ETERNAL RETURN: ROBERT MORRIS’S RECENT WORK

By Jeffrey Weiss

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Alain Resnais, Je t’aime, je t’aime, 1968, 35 mm, color, sound, 91 minutes. Claude Ridder (Claude Rich). Photo: Film Desk/Bleeding Light Film Group/Mag Bodard.

Features

TRAVEL AGENTS: ALAIN RESNAIS’S JE T’AIME, JE T’AIME AND THE CINEMATIC TIME MACHINE

By Ed Halter

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View of “Joëlle Tuerlinckx: WOR(L)D(K) IN PROGRESS?,” 2013–14, Arnolfini, Bristol, UK.

Features

CLOSE-UP: MEASURE FOR MEASURE

Cathleen Chaffee on Joëlle Tuerlinckx’s three-part retrospective, 2012–14

By Cathleen Chaffee

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Édouard Manet, Le Déjeuner sur l’herbe (Luncheon on the Grass), 1863, oil on canvas, 81 7/8 x 104 1/8".

Features

THE INVENTION OF NON-ART: A HISTORY

Thierry de Duve on the Salon des Refusés

By Thierry de Duve

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Still from Beny Wagner’s Invisible Measure, 2013, HD video, color, sound, 36 minutes 15 seconds.

Features

OPENINGS: BENY WAGNER

By Alexander Scrimgeour

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