Features Summer 2015

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Features Summer 2015

Catherine de Zegher

By Catherine de Zegher

Print Summer 2015

View of “Alex Da Corte: Die Hexe” (The Witch), 2015, Luxembourg & Dayan, New York. Act 2, Scene 1 (rocking chair), 2015. Photo: John Bernardo.

OPENINGS: ALEX DA CORTE

By Annie Godfrey Larmon

Print Summer 2015

THE NON-CONFORMIST: THE ARCHITECTURE OF LINA BO BARDI

By Barry Bergdoll

Print Summer 2015

Joris Hoefnagel, Maltese cross, mussel, and ladybird (detail), 1591–96, watercolor, gold and silver paint, and ink on parchment, 6 5/8 x 4 7/8". Verso of a page from Mira calligraphiae monumenta, 1561–96. Photo: The Getty Center, Los Angeles/Open Content Program.

MATERIAL WORLD: AN INTERVIEW WITH BERNHARD SIEGERT

By Geoffrey Winthrop-Young

Print Summer 2015

THOSE OBSCURE OBJECTS OF DESIRE:

THE USES AND ABUSES OF OBJECT-ORIENTED ONTOLOGY AND SPECULATIVE REALISM Andrew Cole

Print Summer 2015

Still from Joan Jonas’s Organic Honey’s Visual Telepathy, 1972, video, black-and-white, sound, 17 minutes 24 seconds. Photo: Electronic Arts Intermix (EAI), New York.

NOTES ON VAMP: JOAN JONAS’S ORGANIC HONEY’S VISUAL TELEPATHY

By Johanna Fateman

Print Summer 2015

Still from Joan Jonas’s Vertical Roll, 1972, video, black-and-white, sound, 19 minutes 38 seconds. Photo: Electronic Arts Intermix (EAI), New York.

DOUBLE TAKES: THE ART OF JOAN JONAS

By Pamela M. Lee

Print Summer 2015

Photocollage created by a Scientologist artist and published in Monster magazine, mid-twentieth century.

By Tony Oursler

Print Summer 2015

View of “Mark Rothko’s Harvard Murals,” 2014–15, Harvard Art Museums, Cambridge, MA. From left: Panel One (Harvard Mural Triptych), 1962; Panel Two (Harvard Mural Triptych), 1962; Panel Three (Harvard Mural Triptych), 1962. As seen with colored digital projection. Photo: Kate Lacey. © Kate Rothko Prizel and Christopher Rothko/Artists Rights Society (ARS), New York. © President and Fellows of Harvard College.

LIGHT REPAIRS: A ROUNDTABLE ON THE RESTORATION OF MARK ROTHKO’S HARVARD MURALS

By Yve-Alain Bois, Harry Cooper, Lynn Hershman Leeson, Carol Mancusi-Ungaro, Ken Okiishi, R. H. Quaytman, David Reed, Jeffrey Weiss

Print Summer 2015

Dorothea Rockburne

By Dorothea Rockburne

Print Summer 2015

THE REST IS SILENCE: THE ART OF AGNES MARTIN

Print Summer 2015

By Robert Indiana

Print Summer 2015

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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