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On Site
Allan Sekula, U.S. Army VIIth Corps en route from Stuttgart to the Persian Gulf. Prins Johan Frisohaven. Rotterdam, the Netherlands. December 1990., Cibachrome print, 20 × 30". From Fish Story, 1988–95.
ON SITE
Allan Sekula’s Fish Story
Harry Smith, Film No. 1: A Strange Dream, ca. 1946–48, 16 mm, color, silent, 3 minutes. From Early Abstractions, ca. 1965.
ON SITE
Harry Smith’s “Fragments of a Faith Forgotten”
Blythe Bohnen, 48 Brushstrokes, 1971, acrylic on canvas, 72 × 96". From the series “Brushstroke,” 1968–72.
ON SITE
Suzanne Hudson on Blythe Bohnen
Lowell Nesbitt, I.B.M. Disc Pack, 1965, oil on canvas, 64 × 80". © Estate of Lowell Nesbitt/licensed by VAGA at Artists Rights Society (ARS), NY.
Tina Rivers Ryan on “Coded: Art Enters the Computer Age”
Spread from Barbara T. Smith’s Coffin: Die Cut, Rick Hard-Bound, 1966–67, Xeroxes, spiral bound, 11 1⁄4 × 17 3⁄4". From the series “Coffin,” 1966–67.
Michael Ned Holte on Barbara T. Smith’s “The Way to Be”
Leonora Carrington, El mundo mágico de los mayas (The Magical World of the Mayans), 1963–64, casein tempera on panel, 6' 6 3⁄4" × 14' 1 3⁄4". © Estate of Leonora Carrington/Artists Rights Society (ARS), New York.
Susan L. Aberth on “Leonora Carrington: Revelación
Meditation Ocean Constellation, M.O. Turtlegrass Meadow, 2023, six-channel HD video, color, sound, 67 minutes. Photo: Hope Ginsburg.
Annie Dell’Aria on “Meditation Ocean”
CAMP, Bombay Tilts Down, 2022, seven-channel digital video, color, sound, 13 minutes 14 seconds. Installation view, Aspinwall House, Kochi, India.
Skye Arundhati Thomas on the Kochi-Muziris Biennale
View of “Lizzi Bougatsos: Idolize the Burn, an Ode to Performance,” 2023, Tramps, New York. Wall: Egypt with Blue, 2022. Floor: The Last Studio, 2022. Photo: Mark Woods.
Paige K. Bradley on Lizzi Bougatsos
Cumwizard69420, Sleeping Beauty, 2022, oil on canvas, 36 × 48".
Sam McKinniss on Cumwizard69420
Artist unknown, Law, als een tweede Don-Quichot, op Sanches Graauwtje zit ten spot (Law, Like Another Don Quixote, Sits on Sancho’s Ass, Being Everyone’s Fool), 1720, etching and engraving on paper, 8 3⁄8 × 11 1⁄8".
Andrew Hultkrans on “Fortune and Folly in 1720”
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