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Slant
JEB (Joan E. Biren), Abortion Zap, 1981.
Revisiting a landmark of lesbian photography
CFGNY, Island III, 2019, archival photo print, brass hardware, custom acrylic frame, 21 x 16 x 2 1/2".
Two fashion labels unraveling Asian identity
John Haberle, Imitation, 1887, oil on canvas, 10 × 14".
David Joselit on “Cubism and the Trompe l’Oeil Tradition”
Protestors stage an action at the Hamburger Bahnhof in Berlin on September 18, 2016, in memory of Ana Mendieta. Photo: Coral Garvey.
How should Ana Mendieta’s story be told?
Curzio Malaparte, Lipari, Italy, March 1934. Photo: Wikicommons.
John Ganz on “Casa Malaparte: Furniture”
View of “ᐊᖏᕐᕋᒧᑦ/Ruovttu Guvlui/Towards Home,” 2022–23, Canadian Centre for Architecture, Montreal. Photo: Mathieu Gagnon.
Amin Alsaden on “ᐊᖏᕐᕋᒧᑦ/Ruovttu Guvlui/ Towards Home”
View of Delcy Morelos’s Prayer, Horizon, Tokonam, 2022. Photo: ToLoLo studio/Aichi Triennale Organizing Committee.
The Aichi Triennale mounts a restrained comeback
View of Carlos Casas’s Cyclope, 2022, Yaklaşım, 17th Istanbul Biennial, 2022. All photos: Sahir Uǧur Eren.
The 17th Istanbul Biennial’s audacious return to form
Ella Ponizovsky Bergelson and Anna Elena Torres, Pseudo-territory, 2022, augmented reality sculpture. Installation view, German pavilion, Venice, 2022. Photo: Ella Ponizovsky Bergelson.
Toward an alternative future for Jewish art
Three Iraqi artists participating in the Twelfth Berlin Biennale have cosigned a statement about the framing of their work. Photo: Brett Jordan/Flickr.
Regarding torture at the Berlin Biennale
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