COLUMNS

  • PRINT October 1995

    R. U. Sirius’s Real Life Rock

    Greil Marcus is taking a sabbatical from his regular Artforum page to work on a book. During his absence, a different writer each month will count down his or her own Top Ten.

  • PRINT September 1995

    Mim Udovitch's Real Life Rock

    Mim Udovitch is a New York-based writer who contributes regularly to The Village Voice, Details, Rolling Stone, and the New York Times Book Review.

  • PRINT Summer 1995

    Greil Marcus' Real Life Rock

    Griel Marcus is a contributing editor of Artforum. This will be his last column until he finishes work on a book about Bob Dylan's basement-tapes recordings. His book The Dustbin of History will be published this fall by Harvard in the U.S. and Picador in the U.K.

  • PRINT April 1995

    Greil Marcus' Real Life Rock

    Greil Marcus is a contributing editor of Artforum. His “Direct na het laatste concert van de Sex Pistols” was recently reprinted in the anthology De drivel in wermonning (Nijgh & Van Ditmar, Amsterdam).

  • PRINT March 1995

    Greil Marcus' Top Ten

    Greil Marcus is a contributing editor of Artforum. He recently waited five months to get paid for an article he wrote for Vibe.

  • PRINT February 1995

    Greil Marcus

    Greil Marcus’ Im faschistischen Badezimmer: Punk unter Reagan, Thatcher und Kohl—1977 bis 1994 was recently published by Rogner & Bernhard, Hamburg.

  • PRINT January 1995

    Greil Marcus' Real Life Rock

    Greil Marcus is a contributing editor of Artforum. His piece on Guy Debord is reprinted in the November World Art.

  • PRINT October 1994

    Greil Marcus

    Greil Marcus is a contributing editor of Artforum. His “The Bosnian Connection” is included in Mid-Life Confidential: The Rock Bottom Remainders Tour America with Three Chords and an Attitude, edited by Dave Marsh (Viking, 1994).

  • PRINT September 1994

    Greil Marcus' Real Life Rock

    Greil Marcus is a contributing editor to Artforum. His “Elvis und Hermes—endlich wieder vereint” appeared in the June number of Texte Zur Kunst.