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Art Institute of Chicago

View of “Shahryar Nashat,” 2022–23.

Shahryar Nashat

Art Institute of Chicago

By Blake Oetting

Malangatana Ngwenya, O prisioneiro, (The Prisoner), 1969, pen and black ink on paper, 17 x 12 4/5".

Malangatana Ngwenya

Art Institute of Chicago
111 South Michigan Avenue

July 30, 2021 - November 16, 2020

By Sarah M. Estrela

Jo Ractliffe, Nadir 11, 1988, silk screen on photolithograph, 22 1/2 × 23 5/8".

“Jo Ractliffe: Drives”

Art Institute of Chicago

By Sean O’Toole

August 10, 2020 5:00 pm

Shahryar Nashat

“ANNE IMHOF: SEX”

Art Institute of Chicago

By Caroline Busta

May 1, 2019 12:00 am

Gladys Nilsson, Sunset Stomp, 1968, watercolor on paper, 23 x 30 1/2". From “Hairy Who? 1966–1969.”

“Hairy Who? 1966–1969”

Art Institute of Chicago

Print February 2019

Shahryar Nashat

“HAIRY WHO? 1966–1969”

Art Institute of Chicago

September 1, 2018 12:00 am

Shahryar Nashat

“Charles White: A Retrospective”

Art Institute of Chicago

By Kerry James Marshall

Shahryar Nashat

Mounira Al Solh

The Art Institute of Chicago

Art Institute of Chicago
111 South Michigan Avenue

February 8, 2018 - April 29, 2018

By Abigail Winograd, archive intern

Mounira Al Solh, untitled, 2015, mixed media on paper, 11 3/4 × 8 1/2". From the series “I strongly believe in our right to be frivolous,” 2012–.

“Mounira Al Solh: I strongly believe in our right to be frivolous”

Art Institute of Chicago

By Kaelen Wilson-Goldie

January 1, 2018 12:00 am

Tarsila do Amaral, Abaporu (The Man Who Eats Man), 1928, oil on canvas, 33 1/2 × 28 1/2". © Tarsila do Amaral Licenciamentos.

“TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL”

Art Institute of Chicago

By Kaira M. Cabañas

September 1, 2017 12:00 am

View of “Zhang Peili,” 2017.

The Art Institute of Chicago

Art Institute of Chicago
111 South Michigan Avenue

March 31, 2017 - July 9, 2017

By Jason Foumberg

Gordon Parks, Untitled, Harlem, New York, 1952, gelatin silver print, 13 1/4 × 10 1/4".

“Invisible Man: Gordon Parks and Ralph Ellison in Harlem”

Art Institute of Chicago

By Solveig Nelson

May 1, 2016 12:00 am

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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