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Greer Lankton, CANDY DARLING at home, 1987, digital C-print, 9 3⁄4 × 10".

Print February 2023

Colette Lumiere, Notes on Baroque Living (Installation), 1978–83/2021, reconstruction of Living Environment with original wall fragments, lamp, and perfume box; carpet, mirrors, shelves, Colette-size CRT monitor, selections from Colette’s 1978 “Records from the Story of My Life,” 2021 Living Colette sculpture made in collaboration with Cajsa von Zeipel, 8' 6" × 11' 8" × 11' 1".

Colette Lumiere

By Canada Choate

Print March 2022

Barbara Hammer, Double Strength, 1978, 16mm film transferred to video, color, sound, 14 minutes 38 seconds.

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145 Elizabeth Street

October 2, 2021 - November 6, 2021

By Cassie Packard

Barbara Hammer, Sanctus, 1990, 16mm film transferred to video, color and black-and-white, sound (by Neil B. Rolnick), 18 minutes 16 seconds.

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145 Elizabeth Street

May 6, 2020 - June 15, 2020

By Anthony Hawley

Fin Simonetti, Pledge 2, 2019, Spanish blue alabaster, white alabaster, blown fuse, 14 x 8 x 3 1/2". From the series “Pledge,” 2019.

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145 Elizabeth Street

March 3, 2019 - April 21, 2019

EJ Hill, A Commemoration, 2018, neon, 47 × 93".

Print December 2018

Cajsa von Zeipel, Heart Breaker, 2018, stainless steel, fiberglass, spray paint, plaster, Styrofoam, aqua resin, panel, speakers, sound, 63 x 25 x 24".

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COMPANY
145 Elizabeth Street

May 13, 2018 - June 24, 2018

View of “Body Language,” 2017.

“Body Language”

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COMPANY
145 Elizabeth Street

April 20, 2017 - May 21, 2017

Phoebe Collings-James, Bodied, 2016, polypropylene woven sack, tape, poplar frame, 70 × 70 × 7".

Phoebe Collings-James and Jesse Darling

By Laura McLean-Ferris

Print February 2017

View of “Yve Laris Cohen,” 2016.

Yve Laris Cohen

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COMPANY
145 Elizabeth Street

April 10, 2016 - May 15, 2016

By Johanna Fateman

Barbara Hammer, Untitled 1, 1972, ink and watercolor on paper, 6 1/2 x 8 1/2".

Company

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145 Elizabeth Street

September 13, 2015 - October 11, 2015

By Andrew Kachel

Ren Hang, Three Bodies, 2015, c-print photograph, 40 x 27”.

Capricious 88

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145 Elizabeth Street

March 6, 2015 - April 5, 2015

By Chinnie Ding

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Doug Lawler/East Bay Media Collective

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ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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