Galleria Massimo Minini

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Galleria Massimo Minini

Haris Epaminonda, Untitled #06 t/g, 2019, mirrored and lacquered wooden panel, brass, wooden panel, temple model, 27 5⁄8 × 19 3⁄4 × 20 1⁄2".

Haris Epaminonda

Galleria Massimo Minini

By Alessandra Pioselli

Print September 2019

View of “Carla Accardi,” 2018, Francesca Minini, Milan.

Critics’ Picks

Francesca Minini, Galleria Massimo Minini

Francesca Minini
Via Massimiano 25

September 18, 2018 - November 17, 2018

By Francesca Pola, archive intern

Sabrina Mezzaqui, I quaderni di Adriano (Hadrian’s Notebooks), 2016, twenty notebooks, wood-and-glass table; notebooks, each 8 × 9 3/4"; table, 29 1/2 × 44 3/8 × 44 5/8".

Sabrina Mezzaqui and Paolo Novelli

Galleria Massimo Minini

By Alessandra Pioselli

Print October 2016

View of “Enzo Mari,” 2015–16. Photo: Bloomlab.it.

Galleria Massimo Minini

By Paola Nicolin

Print March 2016

View of “Monica Bonvicini,” 2013. Against wall: Straps & Mirror, 2010. On floor: Black You, 2010.

Monica Bonvicini

Galleria Massimo Minini

By Pier Paolo Pancotto

Print February 2014

View of “Mathieu Mercier,” 2008.

Mathieu Mercier

Galleria Massimo Minini
Via L. Apollonio 68

September 27, 2008 - November 15, 2008

Haris Epaminonda

Alberto Garutti

Galleria Massimo Minini

By Marco Meneguzzo

Print Summer 2008

Haris Epaminonda

Galleria Massimo Minini

By Diana Baldon

Print February 2008

Seasons & Genres, Genres & Seasons, 2007, oil on canvas in eight parts, each 28 3/4 x 36 1/4".

Galleria Massimo Minini
Via L. Apollonio 68

September 29, 2007 - November 17, 2007

By Miguel Amado

Capri, 1973, from the series "Italia Ailati" (Italian something), vintage print, 4 5/8 x 7".

Galleria Massimo Minini
Via L. Apollonio 68

April 14, 2007 - June 30, 2007

By Angela Madesani

Installation view, 2006.

Sabrina Mezzaqui

Galleria Massimo Minini
Via L. Apollonio 68

May 13, 2006 - July 31, 2006

By Alessandra Pioselli

Haris Epaminonda

Vanessa Beecroft

Galleria Massimo Minini

By Giorgio Verzotti

Print October 2005

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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