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Metro Pictures

View of “Louise Lawler,” 2021. Background: Hair (adjusted to fit), 2005/2019/2021. Foreground: Pollock and Tureen (traced and painted), Red, Yellow, Blue, 1984/2013/2014/2020.

By Zack Hatfield

Print September 2021

Gary Simmons, Anger Issues, 2020, oil and cold wax on canvas, 24 1⁄4 × 18 1⁄4".

Print July/August 2020

Isaac Julien, The North Star (Lessons of the Hour), 2019, ink-jet print, 63 × 84".

By Jeffrey Kastner

Print Summer 2019

View of “Paulina Olowska,” 2018. From left: Vitebsk Station, 2018; Univermag GUM, 2018; Prospekt Niezalezhnosti, 2018. Photo: Genevieve Hanson.

Paulina Olowska

Print February 2019

View of “Andreas Slominski,” 2018.* Photo: Genevieve Hanson.

Andreas Slominski

By Michael Wilson

Print September 2018

Oliver Laric, Hundemensch, 2018, polyurethane, pigment, 20 7/8 x 20 1/2 × 22 3/4".

By Annie Godfrey Larmon

Trevor Paglen, A Prison Without Guards (Corpus: Eye-Machines), 2017, dye sublimation print, 32 x 40". From the series “Adversarially Evolved Hallucination,” 2017.

By Colby Chamberlain

Print November 2017

Karlo Kacharava, English Romanticism, 1993, oil on canvas 39 3/8 × 39 3/8". From “Sputterances.”

“Sputterances”

By Barry Schwabsky

Print Summer 2017

View of “Sara VanDerBeek,” 2016. Photo: Genevieve Hanson.

Sara VanDerBeek

By Rachel Churner

Print December 2016

Sara VanDerBeek, Quilt Collage I, 2016, acrylic on fiberglass-reinforced plaster and water-based reactive dye printed on cotton voile, 48 x 12 x 12”.

Sara VanDerBeek

Metro Pictures

September 15, 2016 - October 29, 2016

Bas Jan Ader, Studies for Broken fall (geometric), 1971, two C-prints, each 3 1/2 × 3 1/2". © Estate of Bas Jan Ader/Artists Rights Society (ARS), New York.

By Lauren O’Neill-Butler

Print October 2016

Louise Lawler

Metro Pictures

May 5, 2016 - June 11, 2016

By Johanna Fateman

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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