Mitchell Algus Gallery

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Mitchell Algus Gallery

Charles Henri Ford, Self-Portrait with Mirror, 1937, gelatin silver print, 12 × 12".

Charles Henri Ford

Mitchell Algus Gallery

Print January/February 2021

View of “Robert Mallary,” 2019. Foreground: title unknown, 1962. Background from left: title unknown, 1962; Descent, 1955.

Mitchell Algus Gallery

By Zack Hatfield

Print February 2020

Neke Carson, Portrait of Andy Warhol, 1972, acrylic on canvas, 21 1⁄4 × 19 1⁄4".

Mitchell Algus Gallery

By Jennifer Krasinski

Print April 2019

Hannes Schmid, Cowboy #5 (Tailgate), 2007, oil on linen,
48 × 71".

Mitchell Algus Gallery

By Jeffrey Kastner

Print December 2018

Colette, Love in Ruins, 1987–90, mixed media, dimensions variable.

Mitchell Algus Gallery

Mitchell Algus Gallery
132 Delancey St 2nd floor

September 12, 2017 - October 15, 2017

By Margaret Kross

Morgan O’Hara, LIVE TRANSMISSION: movement of the hands of JONAS MEKAS performing at the Fluxus Festival / Anthology Film Archive / New York City / 30 October 1994, pencil on paper, 11 × 14".

Morgan O’Hara

Mitchell Algus Gallery

By Jeffrey Kastner

Mark Prent, His Final Statement, 1970, mixed media, resin, fiberglass, 24 x 24 x 12".

“Zombie Formalism, 1970–2016”

Mitchell Algus Gallery

Mitchell Algus Gallery
132 Delancey St 2nd floor

October 29, 2016 - December 22, 2016

By Nicholas Chittenden Morgan

Anna Uddenberg, Jealous Jasmine, 2014, styrofoam, glass fiber, aqua-resin, stroller, synthetic hair, Uggs, fabric, dimensions variable.

“The Description of a New World, Called the Blazing-World”

Mitchell Algus Gallery

Mitchell Algus Gallery
132 Delancey St 2nd floor

October 22, 2015 - December 13, 2015

By Johanna Fateman

Charles Henri Ford

Mitchell Algus Gallery

By David Frankel

Print Summer 2008

Charles Henri Ford

Judith Bernstein

Mitchell Algus Gallery

By Nick Stillman

Print April 2008

FUN-GUN, 1967, bullets and acrylic on canvas, 57 x 60".

Judith Bernstein

Mitchell Algus Gallery
132 Delancey St 2nd floor

January 10, 2008 - February 9, 2008

By Emmelyn Butterfield-Rosen

Slit: from the Liz Taylor Series (Ash Wednesday), 1992.

Mitchell Algus Gallery
132 Delancey St 2nd floor

November 13, 2004 - January 8, 2005

By Martha Schwendener

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Doug Lawler/East Bay Media Collective

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ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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