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MoMA - The Museum of Modern Art

“Yoko Ono: One Woman Show, 1960–1971”

MoMA - The Museum of Modern Art

By Julia Robinson

May 1, 2015 12:00 am

Grete Stern, Autorretrato (Self-Portrait), 1943, gelatin silver print, 8 3/4 × 11". © Estate of Horacio Coppola.

“From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola”

MoMA - The Museum of Modern Art

By Andrea Giunta

May 1, 2015 12:00 am

View of “The Forever Now: Contemporary Painting in an Atemporal World,” 2014–15. Floor, foreground: Paintings by Oscar Murillo, 2012–14. Left wall: Oscar Murillo, 1/2, 2014. Background: Kerstin Brätsch, Sigi’s Erben (Agate Psychics), 2012. Photo: John Wronn.

“The Forever Now: Contemporary Painting in an Atemporal World”

MoMA - The Museum of Modern Art

Print March 2015

View of “Sturtevant: Double Trouble,” 2014–15. From left: Finite Infinite, 2010; Johns Target with Four Faces (study), 1986; Warhol Cow Paper, 1996. © Estate Sturtevant, Paris.

MoMA - The Museum of Modern Art

By Beau Rutland

Print February 2015

Sturtevant, Duchamp Fresh Widow, 1992/2012, enamel paint on wood, leather, glass, resin knobs, each 30 5/16 × 20 1/4 × 4 1/8".

MoMA - The Museum of Modern Art

MoMA - The Museum of Modern Art
11 West 53rd Street

November 9, 2014 - February 22, 2015

By Sohrab Mohebbi

View of “Robert Gober: The Heart Is Not a Metaphor,” 2014–15. Foreground: Untitled, 1990. Background: Forest, 1991. Photo: Thomas Griesel.

MoMA - The Museum of Modern Art

Print January 2015

Still from Björk’s 1993 video Human Behavior, directed by Michel Gondry.

MoMA - The Museum of Modern Art

By Johanna Fateman

January 1, 2015 12:00 am

“One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North”

MoMA - The Museum of Modern Art

By Rachael Z. DeLue

January 1, 2015 12:00 am

View of “Lygia Clark: The Abandonment of Art, 1948–1988,” 2014. Works from the series “Bichos” (Beasts), 1960–66. Photo: Thomas Griesel.

MoMA - The Museum of Modern Art

By Daniel Birnbaum

Print October 2014

MoMA - The Museum of Modern Art

By Graham Bader

Print September 2014

“Robert Gober: The Heart is Not a Metaphor”

MoMA - The Museum of Modern Art

By Helen Molesworth

September 1, 2014 12:00 am

“Sturtevant: Double Trouble”

MoMA - The Museum of Modern Art

By Daniel Birnbaum

September 1, 2014 12:00 am

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Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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