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Monitor | Rome

Ian Tweedy

Monitor | Rome

Monitor | Rome
Via degli Aurunci 44, 46, 48

April 19, 2018 - June 16, 2018

By Marta Silvi, archive intern

Nicola Samorì, San Pietro all’inferno (Saint Peter in Hell), 2016, oil on linen, 118 x 67".

Monitor | Rome

Monitor | Rome
Via degli Aurunci 44, 46, 48

March 18, 2016 - April 30, 2016

View of “Adam Avikainen: CSI: DNR,” 2015.

Monitor | Rome

Monitor | Rome
Via degli Aurunci 44, 46, 48

May 19, 2015 - July 12, 2015

View of “Peter Linde Busk,” 2015. From left: Life’s barely long enough to get good at one thing. So be careful what you get good at, 2014; No light, but rather darkness visible, 2015; Fear the Goat from the Front, the Horse from the Rear and Man from All Sides, 2014.

Peter Linde Busk

By Pier Paolo Pancotto

Print Summer 2015

Laurent Montaron, Everything We Can Describe Could Be Something Else, 2014, ink-jet print on rag cotton, 47 x 56".

Laurent Montaron

Monitor

Monitor | Rome
Via degli Aurunci 44, 46, 48

February 27, 2014 - May 10, 2014

By Pier Paolo Pancotto

View of “Ian Tweedy,” 2013–14. From left: Fragment Kit III, Fragment Kit I, Fragment Kit II, all 2013. From the series “Fragment Kit (Aftermath of the 20th July Plot),” 2013.

By Pier Paolo Pancotto

Print March 2014

Ian Tweedy, Casting Unknown Woman for My Neighbor The Countess IV, 2013, oil on paper, 28 1/2 x 25 1/2".

Monitor | Rome

Monitor | Rome
Via degli Aurunci 44, 46, 48

November 30, 2013 - February 15, 2014

By Ilaria Gianni

Ulla von Brandenburg, Eigenschatten I-VI (Self-Shadow I-VI), 2013, mixed media, dimensions variable.

Ulla von Brandenburg

Monitor

Monitor | Rome
Via degli Aurunci 44, 46, 48

February 9, 2013 - March 16, 2013

By Pier Paolo Pancotto

View of “Nathaniel Mellors,” 2013.

Nathaniel Mellors

Monitor

Monitor | Rome
Via degli Aurunci 44, 46, 48

November 30, 2012 - January 26, 2013

By Ilaria Gianni

Francesco Arena, Orizzonte (Horizon), 2012, iron, Lampedusa soil, 7 7/8" x 23' 10 1/4" x 3 3/4".

Francesco Arena

By Pier Paolo Pancotto

Print October 2012

View of “No Pasarán” (They Shall Not Pass), 2012.

Peter Linde Busk and Tomaso De Luca

Monitor

Monitor | Rome
Via degli Aurunci 44, 46, 48

February 25, 2012 - April 28, 2012

By Pier Paolo Pancotto

View of “A Battle for Narrative,” 2011.

Monitor | Rome
Via degli Aurunci 44, 46, 48

May 15, 2011 - July 23, 2011

By Vincenzo de Bellis

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Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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