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Regen Projects

James Welling, Portrait of a Woman from a Grave Marker, 2022, oil on laser print, 11 3⁄8 × 17 1⁄8".

By Catherine Taft

Print November 2022

Raymond Pettibon, No Title (Life Without Parole.), 2020, ink, acrylic, and graphite on paper, 23 × 30".

Raymond Pettibon

By Suzanne Hudson

Print January/February 2021

Catherine Opie, Untitled #2 (Swamps), 2019, ink-jet print, 40 x 60".

Regen Projects
6750 Santa Monica Blvd

February 27, 2020 - June 20, 2020

By Andy Campbell

Liz Larner, Firestone, 2019, glazed ceramic, 21 1⁄2 × 38 × 32".

By Ashton Cooper

Print September 2019

Glenn Ligon, Synecdoche (For Byron Kim), 2018, neon, 5 × 30 3⁄4".

By Catherine Taft

Print April 2019

Marilyn Minter, Big Mouth, 2017, enamel on metal, 8 x 13'.

Regen Projects

Regen Projects
6750 Santa Monica Blvd

May 19, 2018 - June 23, 2018

By Katherine Rochester

Gary Simmons, Law of the Jungle, 2017, mixed media on canvas, 12' 1/4" X 18'.

By Catherine Taft

Print February 2018

James Welling

Regen Projects

Regen Projects
6750 Santa Monica Blvd

November 11, 2017 - December 22, 2017

View of “Theaster Gates,” 2017. Photo: Brian Forrest.

By Suzanne Hudson

Print April 2017

Theaster Gates, Double screen to shade dark histories, 2016, hardwood, glazed ceramic, fur, 119 x 69 1/2 x 52".

Regen Projects

Regen Projects
6750 Santa Monica Blvd

January 14, 2017 - February 18, 2017

By Andy Campbell

View of "Abraham Cruzvillegas: Autoconcanción," 2016.

Abraham Cruzvillegas

Regen Projects

Regen Projects
6750 Santa Monica Blvd

September 10, 2016 - October 22, 2016

By Jennifer Piejko

View of "Glenn Ligon: Live," 2015.

Regen Projects | 633 North Almont Drive

Regen Projects
6750 Santa Monica Blvd

October 28, 2015 - October 10, 2015

By Travis Diehl

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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