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Sperone Westwater

View of “Peter Sacks,” 2022. From left: Without Title 1, Without Title 2, Without Title 3, all 2022. All from the series “Without Title,” 2022.

Sperone Westwater

By Donald Kuspit

Print December 2022

Jitish Kallat, Epicycle, 2021, double-sided multilayer print on 20 LPI lenticular lens, teakwood, 89 × 52 × 24". From the series “Epicycles,” 2020–.

Sperone Westwater

By Murtaza Vali

Print February 2022

Alexis Rockman, The Rime, 2020, watercolor and acrylic on paper, 18 x 24".

Sperone Westwater
257 Bowery

November 20, 2020 - January 16, 2021

By Robert Becker

Malcolm Morley, Tilting, 2017, diptych, oil on linen, overall 50 × 100".

Sperone Westwater

Print December 2018

Tom Sachs, The Cabinet, 2014, mixed media, 8' x 13' x 11 1/2".

Sperone Westwater

By Jeffrey Kastner

Print November 2017

View of “Painting in Italy 1910s–1950s: Futurism, Abstraction, Concrete Art,” 2015–16. Photo: Tom Powel Imaging.

“Painting in Italy 1910s–1950s: Futurism, Abstraction, Concrete Art”

Sperone Westwater

By Robert Pincus-Witten

Print March 2016

Otto Piene, “Lichtballete” (Light Ballets), 1963–2013, mixed media, dimensions variable.

Sperone Westwater

Sperone Westwater
257 Bowery

January 28, 2016 - March 12, 2016

By Zoë Lescaze

Malcolm Morley, Aircraft on a Yellow Plane, 2014, oil on linen, 50 × 40".

Sperone Westwater

By Phyllis Tuchman

Print October 2015

Bruce Nauman, Pencil Lift/Mr. Rogers, 2013, two asynchronous video projections, color, sound, continuous loop.

Sperone Westwater

By Ida Panicelli

Print February 2014

View of “Mesopotamian Dramaturges,” 2012.

Sperone Westwater

Sperone Westwater
257 Bowery

November 1, 2012 - December 22, 2012

By Julian Elias Bronner

Richard Long, River Avon Mud Crescent, 2011, paint and River Avon mud, 27 x 27'.

Sperone Westwater

Print September 2011

Heinz Mack, Lamellen Relief, 1967–68, aluminum, Plexiglas, wood, stainless steel, 48 1/2 x 40 3/8 x 3 1/2".

Sperone Westwater

By Donald Kuspit

Print March 2011

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Doug Lawler/East Bay Media Collective

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ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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