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The Jewish Museum

“Revolution of the Eye: Modern Art and the Birth of American Television”

The Jewish Museum

May 1, 2015 12:00 am

Laurie Simmons, How We See/Ajak (Violet), 2015, pigment print, 70 x 48".

The Jewish Museum

The Jewish Museum
1109 Fifth Avenue

March 13, 2015 - August 9, 2015

By Jason Farago

Laurie Simmons, How We See/Liz/Coral, 2014, ink-jet print, 70 × 48".

“Laurie Simmons: How We See”

The Jewish Museum

By Jeffrey Kastner

January 1, 2015 12:00 am

Norman Lewis, Twilight Sounds, 1947, oil on canvas, 23 1/2 × 28".

“From the Margins: Lee Krasner and Norman Lewis, 1945–1952”

The Jewish Museum

By Robert Pincus-Witten

Print January 2015

View of “Mel Bochner: Strong Language,” 2014. From left: Blah, Blah, Blah, 2008; Silence!, 2011; Voiceover, 2006/2012; No, 2007.

The Jewish Museum

By Colby Chamberlain

Print December 2014

Mel Bochner, Kvetch, Kvetch, Kvetch, 2010, oil and acrylic on canvas, 22 x 38".

“Mel Bochner: Strong Language”

The Jewish Museum

By Jeffrey Weiss

May 1, 2014 12:00 am

View of “Other Primary Structures,” 2014.

“Other Primary Structures”

The Jewish Museum

The Jewish Museum
1109 Fifth Avenue

March 14, 2014 - August 3, 2014

By Natalie Musteata

“Other Primary Structures”

The Jewish Museum

January 1, 2014 12:00 am

Spread from Open Me . . . I Am a Dog, 1997.* Art Spiegelman.

The Jewish Museum

The Jewish Museum
1109 Fifth Avenue

November 8, 2013 - March 23, 2014

By Ana Finel Honigman

View of “Barbara Bloom,” 2013.

The Jewish Museum

By Lauren O’Neill-Butler

Print October 2013

Edouard Vuillard, Messieurs and Mesdames Josse and Gaston Bernheim-Jeune, Avenue Henri-Martin, 1905, oil on cardboard, 22 1/2 x 28 1/4".

“Édouard Vuillard: A Painter and His Muses, 1890–1940”

The Jewish Museum

By André Dombrowski

May 1, 2012 12:00 am

David Goldblatt, The farmer’s son with his nursemaid, on the farm in Heimweeberg, near Nietverdiend in the Marico Bushveld. Transvaal (North-West Province), 1964, black-and-white photograph, 9 x 13”.

David Goldblatt

The Jewish Museum
1109 Fifth Avenue

May 2, 2010 - September 19, 2010

By Ara H. Merjian

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Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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