Excerpts from an interview with Anna K.E.

For the Fifty-Eighth Venice Biennale, K.E. will bring together performance, video, sculpture, and hieroglyphs from Asomtavruli, the original Georgian alphabet, in a single architectural environment for the Georgian pavilion, curated by Margot Norton. Here, she discusses moving to New York, as well as her piece, REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation, (2019).