Nguyen Tan Hoang, I Remember Dancing, 2019

For the thirtieth annual Day With(out) Art on December 1, 2019, Visual AIDS presented STILL BEGINNING, a program of seven newly commissioned videos responding to the ongoing HIV/AIDS epidemic by Shanti Avirgan, Nguyen Tan Hoang, Carl George, Viva Ruiz, Iman Shervington, Jack Waters/Victor F.M. Torres, and Derrick Woods-Morrow. Recalling Gregg Bordowitz’s reminder that “THE AIDS CRISIS IS STILL BEGINNING,” the video program resists narratives of resolution or conclusion, considering the continued urgency of HIV/AIDS in the contemporary moment while revisiting resonant cultural histories from the past three decades. STILL BEGINNING screened at 110 venues worldwide, premiering at the Whitney Museum of American Art on December 1, with additional marquee screenings at the Brooklyn Museum in collaboration with The Studio Museum in Harlem, as well as the MCA Chicago and MOCA LA. 

I Remember Dancing brings together an intergenerational cast of “trans and queer gaysians” ruminating on the past and future of AIDS, activism, gay culture, love, and (un)safe sex. Inspired by Joe Brainard’s I Remember poems, these confessions illuminate perspectives of queer Asian communities often absent from whitewashed narratives of HIV and AIDS. Grief, regret, longing, risk, and pleasure surface as their memories and fantasies blur into one another.

Commissioned by Visual AIDS for STILL BEGINNING: The 30th Annual Day With(out) Art
visualaids.org/projects/day-without-art-2019

Nguyen Tan Hoang is a videomaker and film and media scholar. His short experimental videos include K.I.P, Forever Bottom!, PIRATED! and look_im_azn. He is the author of A View from the Bottom: Asian American Masculinity and Sexual Representation (Duke UP, 2014) and articles on porn pedagogy and Southeast Asian queer cinema. He teaches literature, film, and cultural studies at UC San Diego.