Director: Alli Logout

Director of Photography: BAMERON B @bordelonza 

Camera Assistant/ Gaffer: Sarrah Danziger @dearsarrah 

Editor: Ashley Teamer @ateamer 

Lovers:

Raven Crane @venuz_az_aboi 

Nia L @n0t.availabl3

And friends: 

Stash Marina @8rawrawr8  

Jakob Toomer @rowdyboi  

Fen @fengotti 

Cam London @yung_tuberculosis 

Kahelelani Mahone @heavy__pleasure 

Juicebox P Burton @oppressedjuice 

MAJOR THANK YOU TO @smallmart

Kim Gordon as Kim Gordon

Directed by Mariko Munro

Cinematography by Milena Pastreich

Concept by Elaine Kahn and Mariko Munro

Production Design by Francis Cardinale

Wardrobe by Andrea Longacre White

Color by Kaitlyn Bastelli

Kim Gordon.

On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.

Spictacle II: La Tortillera

Jean Paul Gaultier’s last show

In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.

In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.

In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.

Christoph Cox discusses his new book Sonic Flux: Sound, Art, and Metaphysics (University of Chicago Press) with artist Aura Satz. The performance also includes solo sets by Maria Chavez (turntables) and Jake Meginsky (electronics). 

In this performative lecture at the Whitney Museum of American Art, Hammer shares guidelines and film clips from her long-term art-making practice, October 10, 2018. 

Barbara Hammer at the Whitney Museum of American Art, 2018. Courtesy of One Glass Video.

A short video of Papo Colo's Procesión-Migración, January 7, 2017 in Puerto Rico.

Papo Colo, Procesión-Migración, January 7, 2017.

Sandra Bernhard performs with Thomas Bartlett at Justin Vivian Bond—Trans/Art/Family: The Vivification of NYC, September 11, 2016.

Sandra Bernhard and Thomas Bartlett at Trans/Art/Family: The Vivification of NYC. September 11, 2016.