Kim Gordon as Kim Gordon
Directed by Mariko Munro
Cinematography by Milena Pastreich
Concept by Elaine Kahn and Mariko Munro
Production Design by Francis Cardinale
Wardrobe by Andrea Longacre White
Color by Kaitlyn Bastelli
On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.
Spictacle II: La Tortillera can be viewed in full above.
In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.
In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.
In Night of 100 Solos: A Centennial Event, each of the three participating institutions—the Barbican, London, BAM in New York City, and CAP UCLA in Los Angeles—will present a ninety (90) minute performance comprised of 100 solos choreographed by Merce Cunningham. In each city, a former dancer experienced in creating Cunningham Events will work with an associate stager and other Merce Cunningham Dance Company alumni to impart the choreography to a new generation of dancers.
Christoph Cox discusses his new book Sonic Flux: Sound, Art, and Metaphysics (University of Chicago Press) with artist Aura Satz. The performance also includes solo sets by Maria Chavez (turntables) and Jake Meginsky (electronics).
In this performative lecture at the Whitney Museum of American Art, Hammer shares guidelines and film clips from her long-term art-making practice, October 10, 2018.
A short video of Papo Colo's Procesión-Migración, January 7, 2017 in Puerto Rico.
Sandra Bernhard performs with Thomas Bartlett at Justin Vivian Bond—Trans/Art/Family: The Vivification of NYC, September 11, 2016.
Young Jean Lee visits the Performing Garage in early rehearsals for The Wooster Group’s The Town Hall Affair (2016). To read J. Hoberman’s Performance piece on The Wooster Group, pick up the September 2016 issue of Artforum, or read it online at Artforum.com here.